The Chapter - by Nicholas Dames (Paperback)

Book Synopsis

Finalist for the National Book Critics Circle Award in Criticism
Shortlisted for the Christian Gauss Award, Phi Beta Kappa Society
A history of the chapter from its origins in antiquity to today

Why do books have chapters? With this seemingly simple question, Nicholas Dames embarks on a literary journey spanning two millennia, revealing how an ancient editorial technique became a universally recognized component of narrative art and a means to register the sensation of time.

Dames begins with the textual compilations of the Roman world, where chapters evolved as a tool to organize information. He goes on to discuss the earliest divisional systems of the Gospels and the segmentation of medieval romances, describing how the chapter took on new purpose when applied to narrative texts and how narrative segmentation gave rise to a host of aesthetic techniques. Dames shares engaging and in-depth readings of influential figures, from Sterne, Goethe, Tolstoy, and Dickens to George Eliot, Machado de Assis, B. S. Johnson, Agnès Varda, Uwe Johnson, Jennifer Egan, and László Krasznahorkai. He illuminates the sometimes tacit, sometimes dramatic ways in which the chapter became a kind of reckoning with time and a quiet but persistent feature of modernity.

Ranging from ancient tablets and scrolls to contemporary fiction and film, The Chapter provides a compelling, elegantly written history of a familiar compositional mode that readers often take for granted and offers a new theory of how this versatile means of dividing narrative sculpts our experience of time.

Review Quotes

"Dames performs precise, engaging, new ways of reading that transform these apparently inert sentences into a thrilling hum of temporal and perspectival nuance. The chapter, like all the best objects of study, becomes here a delineable unit that simultaneously refuses to be only one thing."---Georgina Wilson, Journal of Scholarly Publishing

"Shortlisted for the Christian Gauss Award, Phi Beta Kappa Society"

"Dames considers the nature of the chapter, a subjective division that nonetheless organizes our understanding of life and literature. . . . For Dames, form begets function--and neither is above scrutiny."-- "The New Yorker"

"Dames mixes close reading with digital humanities methodology to investigate how authors used the chapter not to organize but to reflect the pauses and temporal shifts in their characters' lives. Dames even investigates the use of chapters by examining Agnès Varda's films. . . . Recommended."-- "Choice"

"One of the most thrilling things a book of criticism can do is answer a question that you didn't know you had. . . . After reading The Chapter, you will never quite read anything else the same way."-- "National Book Critics Circle Board"

"The Chapter is deft, elegant, fascinating."---Rachel Ablow, Critical Inquiry

"A New Yorker Best Book We've Read This Year"

"A Seminary Co-Op Notable Book of the Year"

"Finalist for the National Book Critics Circle Awards, Criticism Category"

"Winner of the PROSE Award in Literature, Association of American Publishers"

"This fascinating study causes the reader to reflect on narrative sequences in time, and on the flow of time in reading and life."-- "Paradigm Explorer"

"[Dames] transforms the chapter into an extraordinarily revealing object of both literary analysis and cultural history. . . . Although Dames doesn't claim to have written a comprehensive history of the chapter in every kind of book, one can hardly imagine a fuller record of the tradition that led to their use in the modern novel. . . . One comes away from The Chapter with a new appreciation for the technical challenges of long fictions."---Catherine Gallagher, Chronicle of Higher Education

"Dames shows exactly why chapters are worth our attention. . . . A pleasing investigation."-- "Kirkus Reviews"

About the Author

Nicholas Dames is the Theodore Kahan Professor of Humanities at Columbia University and an editor in chief of Public Books. He is the author of The Physiology of the Novel: Reading, Neural Science, and the Form of Victorian Fiction and Amnesiac Selves: Nostalgia, Forgetting, and British Fiction, 1810-1870.