This book approaches film and television acting from an actor's perspective rather than that of an audience member, and therefore theorizes how screen acting works as a process that engages an actor's memory, imagination, emotions, and physical body in the creation of a character.
About the Author: Dan Leberg is a Lecturer in Media Studies and Journalism at the University of Groningen, and in Film Studies at Amsterdam University College.
224 Pages
Performing Arts, Acting & Auditioning
Description
About the Book
Takes a cognitive approach to screen acting
Book Synopsis
This book approaches film and television acting from an actor's perspective rather than that of an audience member, and therefore theorizes how screen acting works as a process that engages an actor's memory, imagination, emotions, and physical body in the creation of a character. It argues that film actors strive to perform profound empathetic connections with their characters and fellow actors, and then put themselves out there through performing to make those connections clear to the eventual audience. It combines interviews with working professional film and television actors, key insights and methods from Film, Television, and Theatre Studies, and theories of imagination and embodiment to show that screen actors are more than just "the moving parts" of the mise-en-scene.
From the Back Cover
Screen Acting, proposes a cognitive model for analysing the creative practices of western film and television actors, from auditions through to their performances on set. Leberg argues that film and television acting is a practice of soliciting a range of simultaneous and complimentary empathetic connections with their characters, their fellow actors, and their anticipated audiences. Interviews with star actors and professional day-players alike are placed in dialogue with modern cognitive and phenomenological research from film, theatre, television, and literary studies to present a critical vision of acting that speaks from the actor outwards towards their audiences. The final performance may be what the audience sees but, for the actor, the performance is simply the endpoint of a long process of training, preparation, imagination, and creative experimentation. Dan Leberg is a Lecturer in Media Studies and Journalism at the University of Groningen, and in Film Studies at Amsterdam University College. Prior to his graduate studies, Leberg worked as a professional classical theatre and film actor for almost 25 years. Alongside his studies, he worked as the Programming Coordinator of the Cinema Politica Network, the world's largest exhibitor of political documentary cinema. His research focuses on cognition in screen media, motion capture performance, and Shakespeare on film and television.
Review Quotes
How are we moved by actors on screen? This excellent book reframes the analysis of screen acting to highlight the actor's creative agency in generating empathy. Drawing on professional practice and cognitive neuroscience, Leberg creates an impressively well researched conceptual scaffold that is inspiring, lucid, and far reaching.--Rick Kemp, author of Embodied Acting: What Neuroscience Tells Us About Performance
In this important contribution to the study of screen acting, Leberg weaves together research from the cognitive sciences, different "Method" approaches to actor training, and his deeply-informed, practical experience as an actor to illuminate the process of creating moving performances on film. Screen Acting is an insightful and engaging book.--Amy Cook, author of Building Character
About the Author
Dan Leberg is a Lecturer in Media Studies and Journalism at the University of Groningen, and in Film Studies at Amsterdam University College. Prior to his graduate studies, Leberg worked as a professional classical theatre and film actor for almost 25 years. Alongside his studies, he worked as the Programming Coordinator of the Cinema Politica Network, the world's largest exhibitor of political documentary cinema. His research focuses on cognition in screen media, motion capture performance, and Shakespeare on film and television.
Dimensions (Overall): 9.21 Inches (H) x 6.14 Inches (W) x .46 Inches (D)
Weight: .69 Pounds
Suggested Age: 22 Years and Up
Number of Pages: 224
Genre: Performing Arts
Sub-Genre: Acting & Auditioning
Publisher: Edinburgh University Press
Format: Paperback
Author: Dan Leberg
Language: English
Street Date: May 31, 2024
TCIN: 1007642114
UPC: 9781474484145
Item Number (DPCI): 247-20-9215
Origin: Made in the USA or Imported
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Shipping details
Estimated ship dimensions: 0.46 inches length x 6.14 inches width x 9.21 inches height
Estimated ship weight: 0.69 pounds
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Q: What unique approach does this book take to screen acting?
submitted by AI Shopping Assistant - 18 days ago
A: The book views screen acting from the actor's perspective, emphasizing their creative process and emotional engagement rather than an audience-focused analysis.
submitted byAI Shopping Assistant - 18 days ago
Ai generated
Q: How many pages does the book contain?
submitted by AI Shopping Assistant - 18 days ago
A: The book contains a total of 224 pages, offering a comprehensive exploration of screen acting.
submitted byAI Shopping Assistant - 18 days ago
Ai generated
Q: What themes are explored regarding performance creation?
submitted by AI Shopping Assistant - 18 days ago
A: The book discusses the interplay of memory, imagination, emotions, and physical embodiment in the character creation process for actors.
submitted byAI Shopping Assistant - 18 days ago
Ai generated
Q: Who is the author of this book?
submitted by AI Shopping Assistant - 18 days ago
A: The author is Dan Leberg, a lecturer with extensive experience in media studies and classical theatre and film acting.
submitted byAI Shopping Assistant - 18 days ago
Ai generated
Q: What kind of insights does the book offer about actors?
submitted by AI Shopping Assistant - 18 days ago
A: It combines cognitive science, professional actor experiences, and interviews to reveal the empathetic connections actors forge during performances.