Recomposed - by Kyle Devine (Paperback)

Book Synopsis

How a supposedly apolitical form of philosophy owes its continuing power to social and political forces

Analytic philosophy is the leading form of philosophy in the English-speaking world. What explains its continued success? Christoph Schuringa argues that its enduring power can only be understood by examining its social history. Analytic philosophy tends to think of itself as concerned with eternal questions, transcending the changing scenes of history. It thinks of itself as apolitical. This book, however, convincingly shows that the opposite is true.

The origins of analytic philosophy are in a set of distinct movements, shaped by high-ly specific sets of political and social forces. Only after the Second World War were these disparate, often dynamic movements joined together to make 'analytic philosophy' as we know it. In the climate of McCarthyism, analytic philosophy was robbed of political force.

To this day, analytic philosophy is the ideology of the status quo. It may seem arcane and largely removed from the real world, but it is a crucial component in upholding liberalism, through its central role in elite educational institutions. As Schuringa concludes, the apparently increasing friendliness of analytic philosophers to rival approaches in philosophy should be understood as a form of colonization; thanks to its hegemonic status, it reformats all it touches in service of its own imperatives, going so far as to colonize decolonial efforts in the discipline.

Review Quotes

"Kyle Devine understands that the connection between the climate and the material aspects of music goes beyond making LPs from potatoes (rumored) or the environmental impact of streaming (true, varied). Especially within circles of musicians, the social architecture or music-making is deeply under-discussed. Recomposed puts class at the center of the climate discussion, when it is sorely needed."
--Sasha Frere-Jones

About the Author

Kyle Devine is a professor in environmental studies and dean of graduate studies at the University of Winnipeg. He is the author of Decomposed: The Political Ecology of Music, an award-winning environmental history of the record industry.