Passage Works - by Patricia Allmer & John Sears Hardcover

About the Book

The first English-language book on the work of Viennese artist, film-maker, and writer Ruth Beckermann., addressing all Beckermann's major works and offering innovative critical readings.

Book Synopsis

Passage Works is the first book-length English language critical analysis of the transdisciplinary work of the Austrian film-maker, writer, and artist Ruth Beckermann (b. 1952, Vienna). Beckermann's works interrogate identity and geography as formations of the intersections between the past and the contemporary. Taking as her central topics Austria and its history and politics, her own identity as a Jewish woman, and the contemporary global geopolitics of migration and displacement, Beckermann develops wider meditations in film, art, and writing on the persistence of European memory, and the meanings of Europe itself; on borders, migrations, and identities; on memories, traumas, and traditions; on the image as marker of presence and absence, repository of the traces of historical violence; and on the passage as metaphor for a range of physical, psychological, and ideological movements defining the complexities of contemporary cosmopolitan identities.

From the Back Cover

Passage Works explores the works of contemporary Austrian filmmaker, artist, and writer Ruth Beckermann (b. Vienna, 1952). Across her work in multiple media, Beckermann interrogates and critiques identity and geography as complex, shifting formations produced by multiple intersections between the past and the contemporary.

Spanning over four decades, Beckermann's abiding thematic concern focuses on Austria's central role in an expanding Europe, its complex history and politics, her own identity and sense of 'unbelonging' as a post-war Jewish woman, and the contemporary global issues of migration and displacement. Her work extends these themes into wider meditations in film, art, and writing on the persistence of European memory and the meanings of Europe itself - on borders, migrations, and identities, and on memories, traumas, and traditions. She examines the image as a marker of presence and absence and a repository of historical violence, using the passage as metaphor for a range of physical, psychological, and ideological movements that define the complexities of contemporary cosmopolitan identities.

Reading Beckermann's oeuvre within historical and theoretical contexts, this book elaborates on an expanded notion of passage that represents persistent transhistorical and transnational experience of movement between places, times, contexts, and conditions - above all, the post-memorial condition of being Austrian and Jewish in the aftermath of trauma.

About the Author

Patricia Allmer is Professor of Modern and Contemporary Art History at the University of Edinburgh
John Sears is a freelance scholar