Four Contemporary American Playwrights - by Christopher Bigsby (Hardcover)

About the Book

The fourth in a series of books exploring the careers of 28 award-winning contemporary American playwrights, .

Book Synopsis

The fourth in a series of books exploring the careers of 28 contemporary American playwrights, this book covers the work of four male writers, Lucas Hnath, Branden Jacobs-Jenkins, Stephen Karam and Tarell Alvin McCraney.

The dramatic strategies of these award-winning playwrights range widely in styles and approach. Christopher Bigsby interweaves critical analysis of their work with biographical information, contemporary responses and the writers' own comments, drawn from interviews.

At a time when the question of identity is central in America, at both a personal and national level, how far do these playwrights see this as central or incidental to their work? Bigsby argues that Branden Jacobs-Jenkins' work often asks to what extent race is a construct, in work including neighbors, An Octoroonand Appropriate, while stepping away from race in Everybody.Tarell Alvin McCraney, conscious that being labelled as gay or black can influence the reception of his work, nonetheless embraces both in The Brothers Size, Choir Boy, Wig Outandhis Oscar-winning film Moonlight.

If Stephen Karam, from a Lebanese-American family, engages with gay characters in Speech and Debateand The Humans, this book posits that he is also interested in suffering, something of which he has personal experience. Finally, Lucas Hnath approaches identity in another way, appropriating the lives of real characters, historical and contemporary, inhabiting and deconstructing them.

Review Quotes

Focusing on four significant American playwrights, this book examines how their works explore identity, culture, and societal issues, offering deep insights into the cultural impact of contemporary theater. It acts as an essential resource for understanding the intersection of performance and cultural exploration in today's society.
DeRon S. Williams, Assistant Professor of Theatre and Institute for Racial Justice Affiliate Faculty Member, Loyola University Chicago, USA

With an unmatched ear for language and keen eye for stagecraft, Christopher Bigsby draws from decades of original critical insights about the forms and functions of American theatre to broaden our understanding of key works by four pathbreaking contemporary American playwrights. Bigsby brilliantly places each writer in the rich context of their forebears while introducing us to new directions in this vital art form. His latest book, as always, is a must-read for those of us who love the theatre and American literature and popular culture.
Henry Louis Gates, Jr., Harvard University, USA

About the Author

Christopher Bigsby is Emeritus Professor of American Studies at the University of East Anglia, UK.