A New York Times Book Review 2019 holiday gift guide pickOne of Time Magazine's best photo book of 2019 For more than 50 years, American conceptualist Mel Bochner (born 1940) has been shaping dialogs between art and language through exhibition concepts, paintings and sculptures that embrace systems and structures to reveal their cracks and limitations, undermining the means we use to comprehend the world.
Author(s): Carolyn Vaughan
256 Pages
Art, Prints
Description
About the Book
For more than 50 years, American conceptualist Mel Bochner (born 1940) has been shaping dialogs between art and language through exhibition concepts, paintings and sculptures that embrace systems and structures to reveal their cracks and limitations, undermining the means we use to comprehend the world. Bochner created his first prints in 1973 at the invitation of publisher Robert Feldman of Parasol Press (who introduced a generation of minimalist and conceptual artists to printmaking through his work at Crown Point Press). Since then, Bochner has employed many different forms of printmaking, using and abusing its material possibilities and its unpredictability to counter the methodical fashion in which plates and stencils are cut, characters per line are fixed, or print runs set. This volume surveys Bochner's longstanding engagement with various types of printmaking, from aquatints to monoprints.
Book Synopsis
A New York Times Book Review 2019 holiday gift guide pick One of Time Magazine's best photo book of 2019
For more than 50 years, American conceptualist Mel Bochner (born 1940) has been shaping dialogs between art and language through exhibition concepts, paintings and sculptures that embrace systems and structures to reveal their cracks and limitations, undermining the means we use to comprehend the world. Bochner created his first prints in 1973 at the invitation of publisher Robert Feldman of Parasol Press (who introduced a generation of minimalist and conceptual artists to printmaking through his work at Crown Point Press). Since then, Bochner has employed many different forms of printmaking, using and abusing its material possibilities and its unpredictability to counter the methodical fashion in which plates and stencils are cut, characters per line are fixed, or print runs set. This volume surveys Bochner's longstanding engagement with various types of printmaking, from aquatints to monoprints.
Dimensions (Overall): 12.3 Inches (H) x 10.4 Inches (W) x 1.2 Inches (D)
Weight: 4.5 Pounds
Suggested Age: 22 Years and Up
Number of Pages: 256
Genre: Art
Sub-Genre: Prints
Publisher: Jordan Schnitzer Family Foundation
Format: Hardcover
Author: Carolyn Vaughan
Language: English
Street Date: September 25, 2018
TCIN: 1008942616
UPC: 9781732321205
Item Number (DPCI): 247-42-6273
Origin: Made in the USA or Imported
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Shipping details
Estimated ship dimensions: 1.2 inches length x 10.4 inches width x 12.3 inches height
Estimated ship weight: 4.5 pounds
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