Witch of Portobello, the \ La Bruja de Portobello - by Paulo Coelho (Paperback)

About the Book

The people who know the woman who calls herself "Athena" and is known as "the Witch of Portobello Road" in London--including a reporter, an actress, her mother, her ex-husband, and others--recount their experiences with a remarkable individual.

Book Synopsis

Bestseller del The New York Times

"Una lectura increíblemente hermosa". - Seattle Post-Intelligencer

¿Cómo encontramos el coraje para ser siempre fieles a nosotros mismos, aunque no estemos seguros de quiénes somos?

Ésa es la pregunta central de La Bruja de Portobello, un profundo trabajo del autor súper ventas Paulo Coelho. Es la historia de una mujer misteriosa llamada Athena, contada por los muchos que la conocían bien -o que acaso apenas la conocían-.

La Bruja de Portobello es el tipo de historia que trasformará el modo en que los lectores piensan sobre el amor, la pasión, la alegría y el sacrificio.

The New York Times Bestseller

"An incredibly beautiful read." - Seattle Post-Intelligencer

How do we find the courage to always be true to ourselves--even if we are unsure of who we are?

That is the central question of international bestselling author Paulo Coelho's profound work The Witch of Portobello. It is the story of a mysterious woman named Athena, told by the many who knew her well--or hardly at all.

The Witch of Portobello is the kind of story that will transform the way readers think about love, passion, joy, and sacrifice.

From the Back Cover

La Bruja de Portobello relata la vida de Athena mediante la gente que la conocía bien o que no la conocía nada. Entre ellos, su madre adoptiva, un periodista, una sacerdotisa, un historiador y una actriz. Cada persona ilustra un aspecto diferente del carácter de Athena, describiendo lo que vieron y experimentaron y también compartiendo sus propias impresiones, creencias e inquietudes.

Edda, sacerdotisa:
El gran problema de Athena era ser una mujer del siglo XXII, viviendo en el siglo XXI, permitiendo que todos lo viesen. ¿Pagó un precio? Sin duda. Pero habría pagado un precio mucho más alto si hubiera reprimido su exuberancia.

Andrea McCain, actriz:
No me sorprende que su vida terminara de esa manera: vivía flirteando con el peligro . . . Athena era consciente de su carisma, e hizo sufrir a todos los que la amaron. Incluso a mí.

Heron Ryan, periodista:
Las personas crean una realidad y después se vuelven víctimas de ella. Athena se reveló contra eso y pagó un precio alto.

Review Quotes

"Another uncanny fusion of philosophy, religious miracle and moral parable." - Publishers Weekly
"The Brazilian-born author of "The Alchemist" returns with this masterly novel about Athena, the illegitimate daughter of a Transylvanian gypsy adopted by well-to-do Lebanese parents." - Seattle Times
"Spiritualists and wanderlusts will eagerly devour The Alchemist author's firey diatribes about love, fear and the search for all things meaningful." - Washington Post
"Like his other novels, Paulo Coelho's latest, "The Witch of Portobello," is an incredibly beautiful read...vast skill..." - Lisa Ko, author of The Leavers
"We fell in love with The Devil and Miss Prym and believe the author's use of different voices contributing to the story line in this new novel [The Witch of Portobello] even surpasses that beautiful read...It's a very fast read. I'm a slow reader, but I read this spellbinding masterpiece in two nights. I think the magical, lyrical and fascinating Athena will immediately become literature's first lady!" --Jake Reiss of Alabama Booksmith as quoted in Publishers Weekly - Publishers Weekly
"[Coelho's] special talent seems to be his ability to speak to everyone at once. The kind of spirituality he espouses is to all comers....In the memoirs, and in the introductions to his novels, he emphasizes his own flaws and failures, forgives himself for them, and, by extension, forgives his readers theirs. Coelho's plots tend to be allegorical, and his readers often say that they see their own lives in his own books....The writing is unadorned and pleasant to read..." - The New Yorker