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The New Russian Documentary - (Traditions in World Cinema) by Masha Shpolberg & Anastasia Kostina
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Highlights
- Over the last three decades, Russian filmmakers and audiences have engaged with documentary cinema with an intensity unseen since the 1920s, when Soviet documentarians helped pioneer the mode.
- Author(s): Masha Shpolberg & Anastasia Kostina
- 296 Pages
- Performing Arts, Film
- Series Name: Traditions in World Cinema
Description
About the Book
Investigates the recent expansion in Russian documentary film and its relationship to politics, the media industries, and the public sphere.
Book Synopsis
Over the last three decades, Russian filmmakers and audiences have engaged with documentary cinema with an intensity unseen since the 1920s, when Soviet documentarians helped pioneer the mode. What started as a trickle of artistically minded films in the 1990s, expanded in the 2000s to include a broad range of works, chief among them films seeking to re-evaluate the country's past and take stock of its present. This efflorescence went hand in hand with the creation of new institutions--film schools, festivals, and online platforms. The rise of YouTube, in particular, helped propel documentary into the cultural mainstream.
Russia's invasion of Ukraine on 24 February 2022 and the Kremlin's subsequent crackdown on independent media put an end to all this. The New Russian Documentary thus seeks to introduce readers to the key figures, institutions, and practices involved in this vibrant, if ultimately doomed, oppositionary movement.
Review Quotes
The New Russian Documentary addresses with competence and confidence a corpus of documentary films that have, in the past twenty years, shaped independent and critical discourses in Russian cinema, extending well into other art forms. The 15 chapters by expert authors tell insightful stories about documentary forms, themes and filmmakers, adopting diverse perspectives and making comparisons across a range of cultural contexts.-- "Professor Birgit Beumers, editor of Studies in Russian and Soviet Cinema"
Documentary filmmaking has arguably been the most exciting aspect of post-Soviet Russian cinema as this pioneering collection convincingly demonstrates. By introducing readers to a diverse group of directors and films, the fifteen essays also offer a unique vantage point for understanding contemporary Russia. A significant contribution to documentary studies.-- "Denise J. Youngblood, University of Vermont"