Quantitative Literary Analysis of the Works of Aphra Behn - by Laura L Runge Paperback

About the Book

This book explores the works of Aphra Behn (1640-1689) synchronically through word counts and statistical measures. It analyzes, by genre, poetry, drama, and prose, examining the quantification of Behn's literary style. The conclusion applies thematic questions to the full corpus for an innovative and comprehensive assessment of Behn's writing.

Book Synopsis

Aphra Behn (1640-1689), a prolific and popular playwright, poet, novelist, and translator, has an extensive corpus of literature that plays a key role in literary history as the work of a female author. Based upon word counts, Quantitative Literary Analysis of the Works of Aphra Behn chronicles Behn's obsession with the mystery and power of love and early modern passions through her entire oeuvre. Love, for Behn, is an external power, sometimes figured as the boy god Cupid or an abstraction, that enters the body with pain and pleasure and leaves the victim searching for understanding. The book follows two threads of argument: one using quantitative measures to indicate passages for significant close reading of preferred language and the other focused upon her use of small words like thou, sir, or said. Situating her writings in the conflicts of Early Modern discourses on the passions, the book demonstrates that Behn's language reveals generic patterns for representing love that include a warning about its potential to destroy the body and condemn the soul. Taken as a whole, Behn's literary production is an extraordinary examination of the early modern concept of love at a moment of change in the language and meaning of the passions.

Each chapter focuses on one type of writing: poetry, drama, and prose. Her poetry conjures love as an extremely powerful, disabling force, conveyed through the eyes, ears and hands, and acting on the heart and soul. The recipient of love's force is essentially passive except for the need to reflect and decide if the love is worthy or to regret the passion after abandonment. Language from the pastoral mode structures her love poetry; the shady greenery and responsive nature provide a context of ideal love in a golden age with the everlasting fulfilment of mutual desires or a suitably moody place to die. The physical progression of love remains the same in her drama: an external force entering the body with pain and sweet desire stimulating the power of reason to preserve honor and determine the quality of desire. The trail of betrayed lovers and broken vows in her comedies testifies to the prevailing force of love. In the dramatic context, love is unsurprisingly comic and active. Operating in the same way on the body, Behn's stage version of love is overblown, farcical and stagey. In her prose, the genre of writing most noted for her amatory style, Behn once again adopts the configuration of love as a powerful and mysterious external force operating on passive victims who respond in conversations with their hearts. Opposite to the succinct style of Behn's love poetry, love in her prose is characterized by amplitude and repetition. It shares with poetry, however, love's contradictory nature, and her love aphorisms have the balanced antithesis of her verse.

Each chapter also features a unique comparative study that illustrates Behn in a specific context. The poetry chapter compares Behn's Poems Upon Several Occasions to a corpus of six contemporary poetry collections by Ephelia (1679), the Earl of Rochester (1680), Nahum Tate (1684), Anne Killigrew (1684), Edmund Waller, fifth edition, 1686, and Philomela or Elizabeth Singer Rowe (1696). The Drama comparison includes plays by Thomas Killigrew, William Davenant, John Dryden, Thomas Shadwell, George Etherege, Edward Ravenscroft, Thomas Durfey, Thomas Otway, Thomas Southerne, and Mary Pix. Behn's Fiction corpus is compared to Aretina by George McKenzie (1660), The Blazing World, by Margaret Cavendish (1668), Five Love-Letters to a Cavalier translated by Roger L'Estrange (1678), John Bunyan's The Pilgrim's Progress (1678), The Princess of Cleves by Madame de La Fayette (1679), Don Tomazo by Thomas Dangerfield (1680), The Royal Loves, by Mademoiselle (Anne) Roche-Guihen (1680), The Martyrdom of Theodora and Didymus by Roger Boyle (1687), Incognita by William Congreve (1692) and The Inhumane Cardinal by Mary Pix (1696).

Review Quotes

For scholars of Behn and the larger world of late seventeenth- and early eighteenth-century dramatic writers, Runge provides an excellent model for successfully re-establishing how these specific lexical items help unlock the promise of quantification to understand language at scale. [...] Researchers--especially graduate students--who are looking for new directions in formal analysis will benefit immensely from this book, especially as a starting point to find other key terms to analyze and methods to consider. - Eighteenth-Century Fiction

"Laura Runge's illuminating book uses concordance data to offer a fresh interpretation of Aphra Behn's works. Her astute application of quantitative analysis deepens our understanding of Behn as an amatory writer, revealing the unique aspects of her delineation of love and showing how she prefigures the psychological interiority developed in the eighteenth-century novel." -- Jane Spencer, Professor Emerita of English Literature, University of Exeter.

"Runge's wide-ranging analysis draws deeply on her own rich familiarity with Behn's works, a bang up-to-date knowledge of their critical reception and a carefully designed, computer-aided analysis of the texts. The result is a tour de force, a fascinating exploration of Behn in the passions of her times. I learned from this book, argued with it and loved it." -- Professor Elaine Hobby, Loughborough University, Principal Investigator of Editing Aphra Behn in the Digital Age.

"This book applies quantitative literary analysis to Aphra Behn's works across and within genres: poetry, drama and prose. Runge integrates distant reading with traditional approaches in an original way that examines Behn's language, ideas and works in their early modern contexts while also asking us to consider how we interpret literature today." -- Dr. Laura Estill, Associate Professor of English, St. Francis Xavier University.

Runge's rich quantitative literary analysis sits at two poles of academic research. First, Runge focuses on some of the most qualitative content possible. ... Second, Runge's quantitative methods focalize and extend Behn's meanings.-- SEL Studies in English Literature 1500-1900

About the Author

Laura L. Runge is a professor of English at the University of South Florida. She specializes in women's writing of the long eighteenth century, digital humanities, and book history.