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My First Ballet Class - by Alyssa Satin Capucilli (Paperback)
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About this item
Highlights
- Kids can learn all about what it's like at ballet class in this photographic 8x8 storybook with sweet text by Biscuit creator Alyssa Satin Capucilli!
- 3-5 Years
- 8.0" x 8.0" Paperback
- 32 Pages
- Juvenile Nonfiction, Performing Arts
- Series Name: My First
Description
About the Book
Sweet text from bestselling author Capucilli takes readers through their very first day at ballet class. The story of Miss Lavender and her young ballerinas will entice young readers to emulate their simple movements again and again. Full color.
Book Synopsis
Kids can learn all about what it's like at ballet class in this photographic 8x8 storybook with sweet text by Biscuit creator Alyssa Satin Capucilli!
It's the first day of ballet class. What will it be like? Ballerinas wear ballet slippers, learn different foot positions, and twirl across the dance floor. Young readers will love seeing kids their age practicing ballet, learning words like sashay, and more in this adorable introduction!
Includes a special section of step-by-step instructions for basic ballet moves--to be done with a parent or guardian's supervision.
About the Author
Alyssa Satin Capucilli is the award-winning creator and author of the Katy Duck series and the bestselling Biscuit series, which has sold over twenty-four million copies. A dancer as well as a writer, she lives with her family in Hastings-on-Hudson, New York.
Leyah Jensen studied photography at the Rhode Island School of Design, but her journey in photography began much earlier. As a toddler of a professional photographer, she was often staged in tutus or with a finger in the nose. Growing older, she helped lug equipment to places like Tijuana, where her father was basing a children's book. Then in her teens she completed several photojournalism assignments abroad of her own, through children's organizations such as Compassion and other orphan relief agencies. Her own experiences as a child model have taught her that you can't capture the magic of childhood unless the subjects are free to truly be themselves.