Music Divided - (California Studies in 20th-Century Music) Annotated by Danielle Fosler-Lussier (Hardcover)

About the Book

"This is an extremely important, groundbreaking study. The research is impressive and explores a wide variety of resources that span several languages, disciplines, and secondary as well as archival sources. Stylistically uncomplicated and lucidly written, this book is a fascinating piece of reading."--Laszlo Somfai, author of "Bela Bartok: Composition, Concepts, and Autograph Sources," Editor-in Chief of the "Bela Bartok Complete Critical Edition"

Book Synopsis

Music Divided explores how political pressures affected musical life on both sides of the iron curtain during the early years of the cold war. In this groundbreaking study, Danielle Fosler-Lussier illuminates the pervasive political anxieties of the day through particular attention to artistic, music-theoretical, and propagandistic responses to the music of Hungary's most renowned twentieth-century composer, Béla Bartók. She shows how a tense period of political transition plagued Bartók's music and imperiled those who took a stand on its aesthetic value in the emerging socialist state. Her fascinating investigation of Bartók's reception outside of Hungary demonstrates that Western composers, too, formulated their ideas about musical style under the influence of ever-escalating cold war tensions.

Music Divided surveys Bartók's role in provoking negative reactions to "accessible" music from Pierre Boulez, Hermann Scherchen, and Theodor Adorno. It considers Bartók's influence on the youthful compositions and thinking of Bruno Maderna and Karlheinz Stockhausen, and it outlines Bartók's legacy in the music of the Hungarian composers András Mihály, Ferenc Szabó, and Endre Szervánszky. These details reveal the impact of local and international politics on the selection of music for concert and radio programs, on composers' choices about musical style, on government radio propaganda about music, on the development of socialist realism, and on the use of modernism as an instrument of political action.

From the Back Cover

"This is an extremely important, groundbreaking study. The research is impressive and explores a wide variety of resources that span several languages, disciplines, and secondary as well as archival sources. Stylistically uncomplicated and lucidly written, this book is a fascinating piece of reading."--László Somfai, author of Béla Bartók: Composition, Concepts, and Autograph Sources, Editor-in Chief of the Béla Bartók Complete Critical Edition

Review Quotes

"A nuanced analysis . . . . Demonstrates with great clarity relationships between aesthetic questions and broader political and social issues."-- "European History Qtly" (4/20/2010 12:00:00 AM)

About the Author

Danielle Fosler-Lussier is Assistant Professor of Music at The Ohio State University.