Sponsored
Festergrimm - (Legends of Eerie-On-Sea) by Thomas Taylor
Out of Stock
Sponsored
About this item
Highlights
- In the fourth tale in this beloved series, villainous Sebastian Eels returns to Eerie-on-Sea, thrusting Herbie and Violet into a new adventure involving a missing girl, a spooky wax museum, and a dangerous clockwork robot.
- 8-12 Years
- 8.2" x 6.0" Paperback
- 336 Pages
- Juvenile Fiction, Legends, Myths, Fables
- Series Name: Legends of Eerie-On-Sea
Description
About the Book
"This November is "NOPE-vember," Herbie Lemon tells Violet Parma, meaning no risky adventures, but spoiler alert: Perilous mysteries are Eerie-on-Sea's stock in trade. Sebastian Eels, the sleuths' slimy, would-be nemesis, returns to Eerie to refurbish and reopen Festergrimm's Eerie Waxworks. While Herbie and Vi doubt Eels' good intentions, their adult allies are less wary. When the bookstore mermonkey dispenses Dickens' A Christmas Carol, Jenny assumes it means Eels deserves a second chance. Dr. Thalassi hopes the gallery refurbishment will result in new exhibits for his Eerie Museum. Dismayed by Eels' plan, Mrs. Fossil reveals a secret: She's the caretaker of the gallery that was built by her ancestor Felix Fossil when he was hired to collect and repair the remains of Ludo Festergrimm's creations. Ludo's clockwork wonders included a giant robot intended to find Pandora, his missing daughter, but the robot's deadly rampage resulted in the destruction of both itself and its maker. The gallery is now a ruin. The train that once meandered through the spooky gallery's decaying waxworks sits motionless on tracks that descend in darkness to lower floors and exhibits. As creepy mysteries proliferate, Herbie senses Pandora's story is connected to his--but doesn't know how or why."--
Book Synopsis
In the fourth tale in this beloved series, villainous Sebastian Eels returns to Eerie-on-Sea, thrusting Herbie and Violet into a new adventure involving a missing girl, a spooky wax museum, and a dangerous clockwork robot.
Herbie Lemon, Lost-and-Founder at the Grand Nautilus Hotel, and his fearless friend Violet Parma have unearthed many secrets in their village of Eerie-on-Sea: secrets lurking beneath the waves, lapping onto the beaches, and lying behind locked doors. When their brilliant and ruthless nemesis, Sebastian Eels, returns with a plan to open the long-shuttered waxworks museum, Herbie and Violet suspect nefarious motives. Their investigation leads them into the dark Netherways below the town--and into the tragic past of the famous toymaker and inventor Ludovic Festergrimm and his doomed daughter, Pandora. Sebastian Eels is convinced that within the story of Festergrimm is the key to Eerie's deepest secret--a secret in which Herbie himself plays a crucial part--and he'll stop at nothing to uncover it, including bringing a terrifying clockwork legend back to life. With echoes of fairy tales and monster movies, plus a dismembered finger or two, this is a deliciously creepy addition to a fantastical mystery series that is perfectly calibrated to thrill middle-grade readers.
Review Quotes
This November is "NOPE-vember," Herbie Lemon tells Violet Parma, meaning no risky adventures, but spoiler alert: Perilous mysteries are Eerie-on-Sea's stock in trade. . . . While series fans know what to expect, the plot's familiar contours deliver a few surprises along the way. . . the quirky art serves as witty counterpoint to Herbie's stoic narration while Eerie's Saint Dismal nicely embodies the English-seaside-in-the-off-season setting. . . . A cozy and atmospheric read.
--Kirkus Reviews
About the Author
Thomas Taylor is an award-winning author-illustrator for children. His work includes picture books, graphic novels, and the previous novels in this series: Malamander, Gargantis, and Shadowghast. He lives with his family on the south coast of England, where he can often be found combing the beach for ancient or lost things.
Tom Booth has illustrated several acclaimed picture books, including Don't Blink! and This Is Christmas, which he also wrote. He made his earliest illustrations--sometimes on his parents' antique kitchen table--growing up in Pennsylvania. Now living in Brooklyn, he is currently at work on several children's books on a table all his own.